An Immersive World of Art
One of my favorite moments was wandering through the Grand Bohemian Gallery, guided by curator Constance Richards, whose passion for this space runs deep and feels contagious the moment you step inside. When she unlocked the gallery’s story, it became clear this wasn’t just a hallway lined with art—it’s part of the hotel’s very soul.
“There was mud sitting right here,” Richards recalls, pointing to the spot on the gallery floor where the river’s aftermath had once settled. “A lot of things probably just washed down the river.”
Rather than rebuild the gallery exactly as it was, the team took a bold step. They tore down a dividing wall to let the gallery flow straight into the lobby, blurring lines between art and hospitality. Now, whether you’re sipping a cocktail or a coffee, you’re invited to explore vibrant works by artists like Jean Claude Roy. He is a self-taught French painter, renowned for kinetic landscapes and the tiny sun hidden within each canvas. “They come in and try to find the sun in each painting,” Richards says. “It’s become a ritual.”
Once a year, Roy brings his new collection here for an intimate art-and-wine dinner that’s become the hotel’s biggest creative event. “It’s our biggest art event,” Richards says. “We unveil everything that night. It’s like a celebration of his year’s work.”
Alongside Roy’s kinetic landscapes, the hotel showcases the mystical oil and gold leaf paintings of Chris Sedgwick. His work is steeped in mythology and alchemical symbolism. The elegant, ballet-inspired figures of Anna Razumovskaya are also featured. For guests drawn to more than just paintings, this was the first Kessler gallery to incorporate fine jewelry and apparel into its curation. Monthly receptions, trunk shows, and “meet the artist” evenings keep the space alive year-round. It remains a gathering place for locals and travelers alike.
“Mr. Kessler was ahead of his time,” Richards notes. “Before all those ‘art hotels’ became trendy, he realized guests wanted to buy what they saw. So he built an entire gallery program.”
Today, that vision thrives in Asheville, Charleston, Greenville, St. Augustine, and Mountain Brook (Alabama)—but here, the gallery’s comeback feels like a personal triumph you can see and feel.